Hk entertainment industry – SMS 461 http://sms461.com/ Sat, 24 Sep 2022 06:02:11 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://sms461.com/wp-content/uploads/2021/08/sms-150x150.png Hk entertainment industry – SMS 461 http://sms461.com/ 32 32 PHOTOS: Hina Khan looks royal in a saree and organza cape, says ‘Every saree has a beautiful story’ https://sms461.com/2022/09/23/photos-hina-khan-looks-royal-in-a-saree-and-organza-cape-says-every-saree-has-a-beautiful-story/ Fri, 23 Sep 2022 10:51:33 +0000 https://sms461.com/2022/09/23/photos-hina-khan-looks-royal-in-a-saree-and-organza-cape-says-every-saree-has-a-beautiful-story/ Hina Khan is one of the best actresses in the showbiz world and has been in the entertainment industry for a long time. She rose to fame after her debut show Yeh Rishta Kya Kehlata Hai, and her role “Akshara” is still fondly remembered by fans. His acting prowess and incredible fashion sense have always […]]]>

Hina Khan is one of the best actresses in the showbiz world and has been in the entertainment industry for a long time. She rose to fame after her debut show Yeh Rishta Kya Kehlata Hai, and her role “Akshara” is still fondly remembered by fans. His acting prowess and incredible fashion sense have always been talked about. The actress enjoys a huge number of fans.

Hina has taken the internet by storm as she recently posted jaw-dropping photos of herself in a gorgeous saree. The Lines star looked elegant as she wore an embroidered organza saree. But what stole the show was her matching embroidered cape which she donned on her six yards and made many hearts flutter. Her messy bun, oxidized earrings and subtle makeup complete her outfit perfectly. Hina was really charming.

Sharing the photos, she wrote, “Each saree has a beautiful story… #SareeLove #HK.” Fans flooded her comments section and praised her good looks and confidence. Adaa Khan and Nakuul Mehta also dropped “fire” emoticons in the comments section of Hina’s post.

Professionally, Hina also participated in Bigg Boss 11, which was hosted by Salman Khan and in which she placed second. Currently, the diva does not appear in any TV shows, but other than that, she has done music videos, endorsed brands, and turned heads while walking the ramp for some popular fashion designers. She recently made an appearance on Mika Singh’s reality show “Swayamvar: Mika Di Vohti”.

Also Read: Hina Khan Looks Pretty in Pink as She Seeks Lord Ganesha’s Blessings; PEAK

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Global Indoor Location Market – Industry Trends and Forecasts https://sms461.com/2022/09/21/global-indoor-location-market-industry-trends-and-forecasts/ Wed, 21 Sep 2022 16:14:00 +0000 https://sms461.com/2022/09/21/global-indoor-location-market-industry-trends-and-forecasts/ Indoor location market The indoor location market will reach an estimated value of USD 357.80 billion and grow at a CAGR of 40.05% during the forecast period from 2021 to 2028. The growing inefficiency of GPS technology in indoor premises is a key factor in the indoor location market. Indoor location deals with tracking an […]]]>

Indoor location market

The indoor location market will reach an estimated value of USD 357.80 billion and grow at a CAGR of 40.05% during the forecast period from 2021 to 2028. The growing inefficiency of GPS technology in indoor premises is a key factor in the indoor location market.

Indoor location deals with tracking an object present in an indoor location. To track these objects, an indoor positioning system or IPS technology is used, which can help locate humans or any object inside an organization using signals. It is widely applicable in retail, transportation, entertainment, hospitality, public buildings and others.

Increasing reliable assistance from governments to ensure public safety is a crucial factor in accelerating the growth of the market, along with increasing number of applications powered by beacons and BLE beacons, increasing integration of beacons in cameras, LED lights, point-of-sale devices and digital signage, the increasing proliferation of smartphones, connected devices and location-based applications among customers and the growing inefficiency of GPS in an indoor environment are the main factors, among others, that are driving the indoor location market. Additionally, the growing demand for RFID tags in the retail sector, growing demand for indoor location technologies to support lean automation and robotic processes, and increasing research and development activities in the market will create new opportunities for the indoor location market during the forecast period mentioned above.

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Data Bridge Market Research presented itself as an unconventional and neoteric market research and consulting company with an unparalleled level of resilience and integrated approaches. We are committed to unearthing the best market opportunities and fostering effective information for your business to thrive in the market. Data Bridge strives to provide appropriate solutions to complex business challenges and initiates an effortless decision-making process. Data Bridge is a suite of pure wisdom and experience that was formulated and framed in 2015 in Pune.

Data Bridge Market Research has over 500 analysts working across different industries. We have served over 40% of Fortune 500 companies globally and have a network of over 5,000 clients worldwide. Data Bridge is expert in creating satisfied customers who rely on our services and rely on our hard work with certainty. We are pleased with our glorious 99.9% customer satisfaction rating.

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Govee launches next-generation LED light strip with upgraded RGBIC+ technology for next-level home entertainment https://sms461.com/2022/09/19/govee-launches-next-generation-led-light-strip-with-upgraded-rgbic-technology-for-next-level-home-entertainment/ Mon, 19 Sep 2022 12:00:00 +0000 https://sms461.com/2022/09/19/govee-launches-next-generation-led-light-strip-with-upgraded-rgbic-technology-for-next-level-home-entertainment/ New music sync headlight LED light strip harnesses the highest lumens available in five meters on the market HONG KONG, September 19, 2022 /PRNewswire/ — Governessa global leader in smart lighting and RGBIC technology, announced the availability of a new generation of its industry-leading LED strip lights, dubbed the Govee M1 LED Strip Light. The […]]]>

New music sync headlight LED light strip harnesses the highest lumens available in five meters on the market

HONG KONG, September 19, 2022 /PRNewswire/ — Governessa global leader in smart lighting and RGBIC technology, announced the availability of a new generation of its industry-leading LED strip lights, dubbed the Govee M1 LED Strip Light. The latest iteration offers a unique way to light up spaces with improved RGBIC+ technology, increased beads per meter for advanced brightness and better segmented control, intuitive music synchronization and an abundance of customizable colors. The M1 LED Strip Light was created to harness multiple senses, leveraging audio visuals to take your home entertainment system to the next level.

A first audiovisual experience for entertainment lovers

Building on its predecessor, the M1 LED light strip features the latest RGBIC+ technology with ten segments of 60 light beads per meter (compared to four segments of 24 LED beads per meter). This increase gives consumers the highest lumens available in a five meter colored light strip, providing greater wall washing.

With a pre-installed gamepad mic and custom algorithm, the LED Strip Light M1 can recognize audio in the surrounding environment and synchronize the lights to match the beat in one of 11 different music modes. Users can also experience DreamView mode, aligning light strip effects with other Govee smart lights in your entertainment ecosystem. This provides a truly immersive experience whether you’re enjoying a virtual concert, watching sports or meditating at home.

Flexible, customizable and intuitive for a personalized space

With over 16 million rich color options, including super warm white thanks to its RGBIC+ technology, users can personalize their environments regardless of what they are watching or listening to. Subdivision controls and multiple lighting effect modes also allow for unique settings such as fade, flicker, flow, flow, and more. Users can double the fun by extending the light strip from five meters to 10 to cover a large area as well.

As with all Govee products, the power of customization is put in the hands of users through the Govee Home app. Users can easily control the light strip and select colors, brightness, effects, modes, etc. through the app, as well as tapping into the wider Govee community of over 11 million app users. Plus, the strip light can be used hands-free and is compatible with Amazon Alexa and Google Assistant.

Availablity

The Govee LED Strip Light M1 sells for $99.99 and is available worldwide at Govee.com and Amazon. Receive $10 off until October 31st.

About Govee

Since November 2017, Govee has been creating industry-leading lighting and home products for consumers around the world and is committed to the highest quality standards for our smart home technology. Our products are consistently rated as Amazon’s Choice with highly rated reviews from our consumers. The Govee Home app, our corresponding app for all of our products, has a growing community of over 10 million registered users. We’ve also received rave reviews from trusted publications. For more information, please visit our website at govee.com.

Contact: Minna Qinpublic relations manager, [email protected]

SOURCE GOVEE MOMENTS LIMITED

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Blockchain in the media and entertainment market will see tremendous growth: Accenture, Synereo, Digital Currency Group https://sms461.com/2022/09/17/blockchain-in-the-media-and-entertainment-market-will-see-tremendous-growth-accenture-synereo-digital-currency-group/ Sat, 17 Sep 2022 08:05:16 +0000 https://sms461.com/2022/09/17/blockchain-in-the-media-and-entertainment-market-will-see-tremendous-growth-accenture-synereo-digital-currency-group/ This press release was originally issued by SBWire New Jersey, United States — (SBWIRE) – 09/17/2022 – The latest published study of the Global Blockchain in Media and Entertainment Market by AMA Research assesses the market size, trend and forecast to 2027. The market study by blockchain in media and entertainment covers important research data […]]]>

This press release was originally issued by SBWire

New Jersey, United States — (SBWIRE) – 09/17/2022 – The latest published study of the Global Blockchain in Media and Entertainment Market by AMA Research assesses the market size, trend and forecast to 2027. The market study by blockchain in media and entertainment covers important research data and evidence to be a handy reference document for managers, analysts, industry experts, and other key people to have study-ready. ‘access and self-analyzed to help understand market trends, growth drivers, upcoming opportunities and challenges and about competitors.

Key players in this report include:
IBM (US), Microsoft (US), SAP (Germany), Accenture (Ireland), Oracle (US), BRAINBOY (Germany), ARK (US), Auxesis (India), Synereo ( Israel), Digital Currency Group (US), Bitfury Group (US),

Download sample PDF report (including full TOC, table and figures) @ https://www.advancemarketanalytics.com/sample-report/115115-global-blockchain-in-media-and-entertainment-market

Definition:
The entertainment industry is constantly implementing technological advances and continually changing its distribution standards and practices in an effort to reach large audiences. One of the key drivers for the growth of Blockchain in the media and entertainment market is the increasing adoption of blockchain technology for different applications in the media, advertising and entertainment industry, as well as the use of transparent, faster and secure transactions. Blockchain refers to a distributed ledger technology that keeps digital assets unchanged and transparent through the use of decentralization and cryptographic hashing.

Market factors:
– The growing adoption of blockchain technology for various media applications
– The growing demand for integration of solutions based on blockchain technology in the media

Market opportunities:
– Global blockchain in media, advertising and entertainment market is expected to witness high growth during the forecast period.

Global blockchain in media and entertainment market segments and market data breakdown are shown below:
by application (content security, license and rights management, smart contract, payment, digital advertising, online gaming, other), company size (small and medium enterprises (SMEs), large enterprises), suppliers (application , middleware, infrastructure)

The Global Blockchain in Media and Entertainment Market report highlights information regarding current and future industry trends, growth patterns, as well as offers business strategies to help stakeholders to make sound decisions that can help ensure the trajectory of earnings over the forecast years.

You have a question ? Market a request before purchase @ https://www.advancemarketanalytics.com/enquiry-before-buy/115115-global-blockchain-in-media-and-entertainment-market

Geographically, the detailed analysis of consumption, revenue, market share and growth rate of the following regions:
– The Middle East and Africa (South Africa, Saudi Arabia, United Arab Emirates, Israel, Egypt, etc.)
– North America (United States, Mexico and Canada)
– South America (Brazil, Venezuela, Argentina, Ecuador, Peru, Colombia, etc.)
– Europe (Turkey, Spain, Turkey, Netherlands Denmark, Belgium, Switzerland, Germany, Russia UK, Italy, France, etc.)
– Asia-Pacific (Taiwan, Hong Kong, Singapore, Vietnam, China, Malaysia, Japan, Philippines, Korea, Thailand, India, Indonesia and Australia).

Report objectives
– -To carefully analyze and forecast the Blockchain in Media and Entertainment market size by value and volume.
– -Estimate the market shares of the main Blockchain segments in media and entertainment
– -To present the development of Blockchain in the Media and Entertainment market in different parts of the world.
– -To analyze and study the micro markets in terms of their contributions to the Blockchain in Media and Entertainment market, their prospects, and individual growth trends.
– -Offer accurate and helpful details about factors affecting the growth of Blockchain in Media & Entertainment
– -To provide a meticulous assessment of crucial business strategies employed by leading companies operating in the Blockchain in Media and Entertainment market, which include research and development, collaborations, agreements, partnerships, acquisitions, mergers, new developments and product launches.

Buy Full Blockchain Review in Media & Entertainment Market Now @ https://www.advancemarketanalytics.com/buy-now?format=1&report=115115

Main highlights of the table of contents:
Blockchain in Media and Entertainment Market Research Coverage:
– It includes major manufacturers, emerging players growth story and major business segments of Blockchain in Media & Entertainment market, years considered and research objectives. Further, segmentation based on product type, application, and technology.
– Blockchain in Media and Entertainment Market Executive Summary: It provides a summary of overall studies, growth rate, available market, competitive landscape, market drivers, trends, and issues, together with macroscopic indicators.
– Blockchain in Media and Entertainment Market Production by Region Blockchain in Media and Entertainment Market Profile of Manufacturers-Players is studied on the basis of SWOT, their products, production, value, their finances and other vital factors.
– Key points covered in the Blockchain in Media and Entertainment Market report:
– Blockchain in Media and Entertainment Overview, Definition and Classification Market Drivers and Barriers
– Blockchain in the Media and Entertainment Market Competition by Manufacturers
– COVID-19 Impact Analysis on Blockchain in Media and Entertainment Market
– Blockchain in Media & Entertainment capacity, production, revenue (value) by region (2021-2027)
– Blockchain in Media & Entertainment Supply (Production), Consumption, Export, Import by Region (2021-2027)
– Blockchain in Media & Entertainment Production, Revenue (Value), Price Trend by Type {Payment Gateway, Merchant Account, Subscription Management,}
– Blockchain in Media & Entertainment Manufacturers Profiles/Analysis Blockchain in Media & Entertainment Manufacturing Cost Analysis, Supply Chain/Industry Analysis, Sourcing Strategy and Downstream Buyers, Marketing
– Strategy by major manufacturers/players, standardization of connected distributors/traders, regulatory and collaborative initiatives, industry roadmap and analysis of value chain market effect factors.

Browse Full Abstract & Table of Contents @ https://www.advancemarketanalytics.com/reports/115115-global-blockchain-in-media-and-entertainment-market

Answers to key questions
– How feasible is blockchain in the media and entertainment market for long-term investment?
– What are the factors influencing the demand for Blockchain in Media and Entertainment in the near future?
– What is the impact analysis of various factors on the growth of the Global Blockchain in Media and Entertainment Market?
– What are the recent regional market trends and how successful are they?

Thank you for reading this article; you can also get individual chapter wise section or region wise report version like North America, Middle East, Africa, Europe or LATAM, Southeast Asia.

Contact us:
Craig Francis (Public Relations and Marketing Manager)
AMA Research & Media LLP
Unit #429, Parsonage Road Edison, NJ
New Jersey United States – 08837

For more information on this press release, visit: http://www.sbwire.com/press-releases/blockchain-in-media-and-entertainment-market-to-see-booming-growth-accenture-synereo-digital-currency-group-1363802.htm

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Tencent Announces Changes to Its Board of Directors and Secondary Listing on Hong Kong Stock Exchange https://sms461.com/2022/09/15/tencent-announces-changes-to-its-board-of-directors-and-secondary-listing-on-hong-kong-stock-exchange/ Thu, 15 Sep 2022 20:52:21 +0000 https://sms461.com/2022/09/15/tencent-announces-changes-to-its-board-of-directors-and-secondary-listing-on-hong-kong-stock-exchange/ SHENZEN, China (CelebrityAccess) — Chinese music streaming and social media company Tencent Music Entertainment Group has announced a reshuffle of its board of directors that will see Mr. Liang Tang step down from the board and its compensation committee, with immediate effect. The reason for Tang’s resignation was not […]]]>






SHENZEN, China (CelebrityAccess) — Chinese music streaming and social media company Tencent Music Entertainment Group has announced a reshuffle of its board of directors that will see Mr. Liang Tang step down from the board and its compensation committee, with immediate effect.

The reason for Tang’s resignation was not disclosed, but Tencent executive chairman Cussion Pang thanked him for his service to the company.

“On behalf of our Board of Directors, we would like to sincerely thank Mr. Tang for his outstanding eight years of service as a member of TME’s Board of Directors. Since joining the Board of Directors in 2014, Mr. Tang has consistently made invaluable contributions to the strategic direction and development of TME. After his resignation, Mr. Tang will continue to provide strategic advice to us as an honorary advisor,” commented Mr. Cussion Pang, Executive Chairman of TME.

Mr. Liang Tang commented, “It has been my greatest pleasure to serve on TME’s Board of Directors, and I feel immense pride in the company’s accomplishments, especially its unwavering leadership in shaping the industry. Chinese music. I will continue to support TME and provide strategic advice as it grows and succeeds. »

Tencent also announced several additions and changes to the board, including Ms. Jeanette Kim Yum Chan, who is joining as an independent director, and that current board member, Ms. Edith Manling Ngan, has been appointed. to the compensation committee of the board of directors.

The changes to the company’s board follow news that Tencent is planning a secondary listing on the main board of the Hong Kong Stock Exchange. The listing will be in addition to Tencent’s current listing on the New York Stock Exchange.

Tencent has received a letter of approval in principle for secondary listing and the shares are expected to begin trading on the SEHK on September 21, 2022.

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Alibaba Group Holding (NYSE:BABA) – Why Alibaba and Nio shares aren’t trading in Hong Kong today: Asia-Pacific markets watch key US data https://sms461.com/2022/09/12/alibaba-group-holding-nysebaba-why-alibaba-and-nio-shares-arent-trading-in-hong-kong-today-asia-pacific-markets-watch-key-us-data/ Mon, 12 Sep 2022 02:44:58 +0000 https://sms461.com/2022/09/12/alibaba-group-holding-nysebaba-why-alibaba-and-nio-shares-arent-trading-in-hong-kong-today-asia-pacific-markets-watch-key-us-data/ Asia-Pacific markets opened in the green on Monday on improving risk sentiment, but investors are watching closely for US inflation data due later this week. from Japan Nikkei and australia ASX rose more than 1% at the open on Monday, while markets in mainland China and Hong Kong were closed due to the Mid-Autumn Festival. […]]]>

Asia-Pacific markets opened in the green on Monday on improving risk sentiment, but investors are watching closely for US inflation data due later this week.

from Japan Nikkei and australia ASX rose more than 1% at the open on Monday, while markets in mainland China and Hong Kong were closed due to the Mid-Autumn Festival.

Currency: The Japanese government must take action to prevent an excessive decline in the yen, a senior government official said on Sunday, as the currency fell to its weakest level against the dollar in 24 years, reported Reuters. The yen hit a low of 144.99 against the dollar on Wednesday before paring its losses. USD/JPY last traded at 142.54 on Monday.

Read also : Cathie Wood adds over $1.2 million in UiPath stock and racks up more on this sports betting stock

Macro News: The Biden the administration plans to expand restrictions on U.S. shipments to China of semiconductors used for artificial intelligence and chipmaking tools next month, reported Reuters.

Auto sales in China rose 32.1% to 2.38 million units in August, led by electric vehicles (EVs), whose sales were boosted by government incentives, reported Reuters.

Company News: Ubisoft Entertainment SA UBSFY is always open to other partners who publish an agreement in which Tencent Holdings will increase his stake in the company, co-founder and CEO Yves Guillemot said, reported Reuters.

Nio Inc. NIO has set up more than 1,100 battery exchange stations in China and aims to establish more than 1,300 stations in China by the end of this year, reported the CnEVPost. The company’s shares ended their Hong Kong session up 5.7% on Friday.

Alibaba Group Holding Ltd BABA maintained its leading position in China’s cloud market, according to data released last week. The company’s Hong Kong shares ended up nearly 3% on Friday.

World News: US futures were trading in the green in the Asian session on Monday morning. Dow Jones futures rose 0.06%, while Nasdaq futures gained 0.1%. S&P 500 futures rose 0.07%.

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Book club: Writer Siang Lu’s debut novel pokes fun at showbiz racism https://sms461.com/2022/09/09/book-club-writer-siang-lus-debut-novel-pokes-fun-at-showbiz-racism/ Fri, 09 Sep 2022 18:00:00 +0000 https://sms461.com/2022/09/09/book-club-writer-siang-lus-debut-novel-pokes-fun-at-showbiz-racism/ Camera icon The Bleaching of Siang Lu Credit: Provided Siang Lu (UQP, $32.99) Hollywood’s long and inglorious history of whitewashing — that is, the casting of white actors to play people of color in movies and on television — is satirized in Siang’s debut novel. Lu, a writer based in Brisbane and Kuala Lumpur. Both […]]]>
Camera icon The Bleaching of Siang Lu Credit: Provided

Siang Lu (UQP, $32.99)

Hollywood’s long and inglorious history of whitewashing — that is, the casting of white actors to play people of color in movies and on television — is satirized in Siang’s debut novel. Lu, a writer based in Brisbane and Kuala Lumpur.

Both a highly entertaining game and a clever, in-depth exploration of the racism of the entertainment industry, The Whitewash traces the production of a failed fictional film with the pleasantly absurd title of Brood Empire. Originally conceived as “a blockbuster spy film produced for Western markets and starring, for the first time, an Asian male in the lead role”, the project dramatically imploded after its trailer leaked online. announcement, revealing that a white actor has replaced – and upcoming Hong Kong heart-throb JK Jr as the star. Adding another layer to the narrative is its presentation as an imaginary oral history of the debacle, brought to you by an entertainment website – and self-proclaimed provider of “nasty viral content” – called Click Bae.

The Whitewash is a decidedly ambitious undertaking, synthesizing real-life cinematic history with invented detail to strike the balance – successfully, for the most part – between comedic exaggeration and a sense of authenticity. Its chosen form is also tricky, involving a large cast of characters and a number of stylistic limitations specific to the oral history format, but Lu handles it admirably, despite the odd moment when the narrative can start to feel ever so – a bit stuffed with meta jokes and larger than life narcissists. He has a particular knack for introducing the reader to an apparent stereotype – the stupid pretty boy JK Jr, or his seemingly insipid girlfriend Angela Mu – only to undermine it as the story progresses by imbuing the character with truth. the pathos and the heart.

The resulting novel is intelligent, playful and often very funny, and explores its themes with nuance and insight.

THE BALLROOM MURDER

Leigh Straw (Fremantle Press, $32.99)

Leigh Straw's Murder in the Ballroom
Camera iconLeigh Straw’s Murder in the Ballroom Credit: Provided

One evening in August 1925, art student Audrey Jacob shot and killed her former fiancé, Cyril Gidley, in the middle of a charity ball at Government House in Perth. According to historian and WA scholar Leigh Straw, it became “one of the most sensational murder cases Perth has ever seen” and about which, almost 100 years later, “people still have differing interpretations, largely on how they view the two protagonists”. Straw’s latest book is a vivid yet thoughtful account of the trial that followed, including how Jacob was – remarkably – found not guilty. , despite being “seen by dozens of witnesses and holding a smoking gun to his dying ex-lover.”

HOPELESS KINGDOM

Kgshak Akec (UWA Publishing, $32.99)

Book cover: Hopeless Kingdom by Kgshak Akec
Camera iconBook cover: Hopeless Kingdom by Kgshak Akec Credit: Provided

The relationship between a mother and her daughter is at the heart of the Dorothy Hewett Prize-winning novel by emerging Victorian writer, poet and novelist Kgshak Akec. Inspired by the author’s own journey with his family from South Sudan to Geelong via Egypt and Sydney, Hopeless Kingdom is a timely exploration of migration, trauma, belonging and resilience, told from alternate perspectives of a girl named Akita and her mother, Taresai. “It’s an ode to my mother and all she sacrificed, and a love letter to my childhood,” Akec says of the book. “I think it shines a light on untold Australian stories and opens our eyes to how we’re not that different from each other.”

DESIRE: AN ACCOUNT

Jessie Cole (Text, $34.99)

Desire: A Reckoning by Jessie Cole
Camera iconDesire: A Reckoning by Jessie Cole Credit: Provided

“I may be the least qualified person to write about desire,” says Jessie Cole – and yet she adds “maybe I will always be drawn to writing about the thing I least understand – a mystery to solve, riddle to complete”. In her intimate and lyrical new book, the critically acclaimed Australian memoirist and novelist explores bodies, lust, grief and much more. Structured in fragmentary and associative vignettes rich in detail vivid, it charts Cole’s harrowing relationship with an older man who is often physically and emotionally distant, but makes him feel like “suddenly I have another sensory tool at my disposal, like I can feel the particles in the air moving in new patterns”.

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A Netflix hit is a missed opportunity for autism https://sms461.com/2022/09/07/a-netflix-hit-is-a-missed-opportunity-for-autism/ Wed, 07 Sep 2022 05:20:23 +0000 https://sms461.com/2022/09/07/a-netflix-hit-is-a-missed-opportunity-for-autism/ Comment this story Comment After the torment of indebted souls in “Squid Game,” South Korea fell in love with a feel-good courtroom drama with an unusual protagonist – a young lawyer with autism. “Extraordinary Attorney Woo” was the most popular non-English series on Netflix for weeks this summer, and the season finale, which aired last […]]]>

Comment

After the torment of indebted souls in “Squid Game,” South Korea fell in love with a feel-good courtroom drama with an unusual protagonist – a young lawyer with autism. “Extraordinary Attorney Woo” was the most popular non-English series on Netflix for weeks this summer, and the season finale, which aired last month, broke viewing records for broadcaster ENA.

What a shame that this runaway success misses an opportunity to educate as much as entertain.

A disabled lead character is a welcome change of pace for South Korea’s entertainment industry, a juggernaut best known for its clean cast and polished pop acts. Here, as in much of the world, there is stigma and autism is often misunderstood. The problem is that while representation is important, cliched representations like this don’t seek to show people with disabilities for who they are. On the contrary, they are shown as the audience wishes. In this case, clumsy but pretty, very successful academically, chaining professional triumphs one after the other.

In fact, Scholar Syndrome – responsible for the legal brilliance with which main character Woo Young-woo constantly impresses his colleagues – is rare. Statistics vary, but perhaps 1 in 10 people with autism show savant skills, and few of those with the degree of virtuosity displayed here. The reality for the vast majority of people with autism couldn’t be further from Woo. It is more banal, more complicated and much more difficult. Not least because, for too many people, the workplace remains totally out of reach. Maybe those struggles wouldn’t have made for comfort television.

The depiction of people with autism as weird geniuses dates back to the 1988 movie “Rain Man” and Dustin Hoffman’s character, Raymond Babbitt, a savant who can memorize the phone book but is overwhelmed by the world. The performance won Hoffman an Oscar and brought autism to the fore. Unfortunately, it has also created lasting stereotypes that impact how society views people with autism, their abilities and their limitations. More modern versions of the same idea, such as “The Good Doctor” series, about a medical prodigy with autism (which exists in American and Korean versions), continue to fuel misconceptions around a disease now estimated to affect approximately 1 in 44 8-year-olds in the United States.

There have been more successful efforts to tackle autistic fictional characters that aren’t just plotlines, and perhaps Detective Saga Noren in the Nordic noir series “The Bridge” (even if she’s not never identified as autistic) comes close to something believable. Documentaries, like “The Reason I Jump” or “Billy the Kid,” grounded in real life, do best when it comes to giving audiences an accurate snapshot.

But tropes are hard to shake, and as the parent of an autistic child, I’ve lost count of how many times I’ve been asked what his “special talent” is. He doesn’t, nor do the overwhelming majority of other autistic children I know. He is not particularly good at math and finds computers difficult due to the fine motor skills required. He probably won’t work at NASA. But he’s also not incapable of negotiating a revolving door, as the lawyer Woo incongruously seems to be, and he has a fearsome sense of humor. Unlike the one-dimensional TV protagonist, his autism doesn’t define him.

Admittedly, it is a challenge to represent a neurodevelopmental disorder that is not simply a condition with a single set of characteristics. What is so often described as a spectrum is actually a matrix of possibilities, ranging from relatively mild impairments to debilitating intellectual disabilities. Many affected people will have difficulty communicating, tics, intense interests, but the particular symptoms vary widely. A significant proportion – between a quarter and a third, although again the statistics diverge – are very little verbal.

That’s why it’s a problem when the only depiction on screen is of someone not speaking until 5 o’clock but then reciting the Korean penal code. It’s a caricature, not a character. One of the problems is undoubtedly that the neurotypical actress playing the main character chose not to use real people as references and instead studied the description of the diagnosis – somehow a step worse than just failing to choose. an autistic actor. It may be enough for entertainment, but it lets down an entire community.

There are some trading features. Good to see an autistic female character, and indeed non-white. His obsession with whale facts, his favorite subject, is over the top, but recognizable.

But it’s hard to fathom how the program fails to capture the hardships that everyday life brings, even for people with autism who are labeled as “highly functional,” as Woo would be. They are forced to mask physical tics and stimming movements – rocking, clapping – which act as a pressure valve and help manage emotions. They report extremely high levels of stress. Unintentionally saying or doing something awkward out of context isn’t a fun joke, like on the show; it is a cause of crippling anxiety.

More than that, in choosing a successful lawyer, the program ignores that some of the toughest battles for people with autism are financial and professional. Employers might welcome a genius, but statistics suggest they’re less willing to give those who need other kinds of adjustments a chance. While more and more neurodivergent adults are getting jobs, far too few are still doing so. UK statistics, for example, suggest that only a fifth of adults with autism are in paid employment – ​​the lowest employment rate compared to other disabilities. Why not tell the story of the majority next time?

More from Bloomberg Opinion:

• After Covid, Closing the Autism Jobs Gap: Clara Ferreira Marques

• Young people will not find the meaning of life at work: Allison Schrager

• People with Disabilities Need Community Services: Ari Ne’eman

This column does not necessarily reflect the opinion of the Editorial Board or of Bloomberg LP and its owners.

Clara Ferreira Marques is a Bloomberg Opinion columnist and editorial board member covering foreign affairs and climate. Previously, she worked for Reuters in Hong Kong, Singapore, India, UK, Italy and Russia.

More stories like this are available at bloomberg.com/opinion

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Asian Cinerama in Jakarta for the first time https://sms461.com/2022/09/04/asian-cinerama-in-jakarta-for-the-first-time/ Sun, 04 Sep 2022 07:16:21 +0000 https://sms461.com/2022/09/04/asian-cinerama-in-jakarta-for-the-first-time/ Glenn Chan’s SHADOWS will open the program, the lineup includes Hong Kong hit films CHILLI LAUGH STORY and TABLE FOR SIX. The Academy of Asian Film Awardsin collaboration with Bali International Film Festival (Balinale)with the financial support of Create Hong Kong and Film Development Fund, we are honored to present our flagship cinematic roadshow – […]]]>

Glenn Chan’s SHADOWS will open the program, the lineup includes Hong Kong hit films CHILLI LAUGH STORY and TABLE FOR SIX.

The Academy of Asian Film Awardsin collaboration with Bali International Film Festival (Balinale)with the financial support of Create Hong Kong and Film Development Fund, we are honored to present our flagship cinematic roadshow – Asian Cinerama in Jakarta for the first time. We bring together six Hong Kong films across a variety of genres to showcase the rich and dynamic creativity of contemporary films produced in Hong Kong.

The program – Asian Cinerama – Hong Kong Focus – will run from Thursday September 15 to Sunday September 18 at Plaza Indonesia XXI, Jakarta. It will open with Glenn Chan’s directional debut, SHADOWS, a breathtaking psychological thriller featuring an outstanding ensemble cast. The film is about the evil that is subconsciously embedded in our minds and the terrifying consequences that follow when evil is unleashed. The film was hailed as “one of the best films of the year”. The film’s producer and screenwriter, Mani Man, will be on hand to meet the audience and hold a Q&A after the screening.

“It is a great honour,” said director Glenn Chan, “that SHADOWS has been chosen by the Bali International Film Festival as the opening film for the Asian Film Awards Academy’s Asian Cinerama, in Jakarta. It was both exciting and overwhelming to direct a Hong Kong film like my directorial debut. Exciting because so much of my childhood was spent watching old classic Hong Kong movies. Now I can make one.”

“We are delighted that producer and screenwriter Mani Man is opening the Asian Cinerama program with her film SHADOWS, and hosting a filmmaker seminar on topics ranging from film financing, co-production and initiatives to nurture local talent.” , said Balinale Founder and Executive Director, Deborah Gabinetti.

Ms. Man is also Deputy General Manager of MM2 Entertainment Hong Kong, a leading entertainment and multimedia content company with regional offices in Kuala Lumpur, Taipei, Singapore, Shanghai, Beijing and the United States.

“It’s very exciting to travel to Jakarta with my latest film SHADOWS,” said Mani Man. “I’m so looking forward to meeting audiences in Indonesia and taking this opportunity to meet local filmmakers. I hope everyone enjoys our film and thank you Bali International Film Festival for bringing me here.

Image from Chilli Laugh Story

In addition to this, the program includes the hit comedy Chilli Laugh Story, which topped the Hong Kong box office when released in July; writer-turned-director Sunny Chan’s impressive follow-up chart for Six after Men on the Dragon in 2018; the highest-grossing Hong Kong film of 2021, Anita, the biopic of the late canto-pop queen Anita Mui; Madalena, from Macau-based director Emily Chan, stages a painfully humanistic love story between two wounded souls.

The roadshow will end with Raging Fire, the latest feature film directed by the late veteran Benny Chan, won Best Picture and Best Director at the 40th Hong Kong Film Awards with excellent performances from action superstar Donnie Yen and co-star Nicholas Tse as the cold-blooded villain. All movies are presented in original Cantonese/Mandarin with Indonesian and English subtitles.

Over a thousand moviegoers and industry professionals are expected at the 4-day program specially designed to entertain a wide variety of audiences with a combination of thriller, action, drama and family comedy. Asian Cinerama is the first collaborative event on the Balinale 2023 Route.

We would like to express our sincere gratitude to the Balinale for hosting the Asian Cinerama with us and to our financial supporters for making it possible. We will continue to work with Asian filmmakers to promote and recognize outstanding Asian works, as well as to develop interest in Asian cinema among industry and audiences in Asia and beyond.

Click here for more information

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Its diversified business strategy continues to solidify fundamentals https://sms461.com/2022/09/02/its-diversified-business-strategy-continues-to-solidify-fundamentals/ Fri, 02 Sep 2022 11:00:00 +0000 https://sms461.com/2022/09/02/its-diversified-business-strategy-continues-to-solidify-fundamentals/ BEIJING, September 2, 2022 /PRNewswire/ — Joy Spreader Group Inc. (HKG: 6988, “the Group”, “Joy Spreader”), a leading Hong Kong-listed marketing technology company, announced its interim results for fiscal 2022 on August 31. According to the report, the Group maintained robust business growth in the first half of 2022, with revenue of HK$1.367 billionalmost equal […]]]>

BEIJING, September 2, 2022 /PRNewswire/ — Joy Spreader Group Inc. (HKG: 6988, “the Group”, “Joy Spreader”), a leading Hong Kong-listed marketing technology company, announced its interim results for fiscal 2022 on August 31. According to the report, the Group maintained robust business growth in the first half of 2022, with revenue of HK$1.367 billionalmost equal to the income of HK$1.396 billion for the full year 2021. The solid growth is, in large part, attributable to the Group’s rapid expansion in South East Asiathe international e-commerce activity generating sales of 813,400 units or HK$1.021 billion for the half-yearly period.

Based on the underlying logic of algorithmic marketing, combined with preference-based recommendation algorithms, Joy Spreader has not only accelerated the expansion of international e-commerce portfolio and achieved rapid sales growth, but also adjusted its online interactive entertainment business strategy in line with the changing macro environment of its domestic business through increased efforts to develop the non-interactive entertainment business. These adjustments have yielded remarkable results.

In the first half of 2022, Joy Spreader recorded sales of HK$229 million interactive entertainment and digital product marketing, and HK$310 million of the nation’s short-form video (SFV)-based e-commerce marketing business. The two core businesses, which contributed nearly 70% of Group revenue last year, were hit hard by challenging market conditions during the reporting period, such as stricter regulatory policies and the ongoing pandemic. However, profits did not fall like in the gaming and pure e-commerce sectors, mainly thanks to the Group’s reactive commercial strategy of enriching its tradable product categories. Joy Spreader recorded an annual revenue increase of 151.27% to reach HK$114 million in its non-interactive entertainment business, which served as an effective hedge against the risks associated with the tightening of sector policies and the continuation of the pandemic. The leap in revenue fully demonstrated the forward-looking diversification of the Group’s product portfolio, as well as the fundamental strength of its immobilized prepaid traffic model coupled with its high barrier to entry for competitors.

With the gradual implementation of its diversified business development strategy, along with strong digital technologies that align with mobile web trends as well as customers’ business needs, Joy Spreader is well positioned to effectively utilize traffic from new media to facilitate the commercialization of new media, the scalability of its international e-commerce and the development of IP-based culture-related businesses, with the aim of becoming a leading performance-based technology company. new media with global reach by integrating algorithmic marketing, overseas e-commerce and first party traffic.

SOURCE Joy Spreader Group Inc.

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